Pacheco, Woyzeck and a Whole Lot Of Driftwood

Good evening, lovely people. How's everything going for you all? My last post wrapped up my Roadtrip Saga. Such fun times on Erasmus, let me tell you. And wrapping up that awesome trip was really fun and now, after writing those posts, it's fun to read them and look back and for everyone involved on the trip to reminisce about the awesome roadtrip.

So since that roadtrip, bits and pieces have happened. Finished up my Spanish experience and in a whirlwind of travelling bliss, was up and travelling again to South Africa less than 72 hours later. More on that later in some follow up blogs. So by the end of this summer I'll be uploading and trying not to brag about the awesome experiences in Spain and South Africa.

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Beginning this entry, I currently find myself sitting in the center of Galway City surrounded by art, merchandise and a lot of cool people.

At the beginning of this month, I found myself in a situation where I didn't have a job, was searching for a job and trying to find something to occupy my time rather than sitting around doing nothing. One of the many things I pondered and researched was the Galway International Arts Festival. Something that I have visited in the past, been meaning to get involved in for years and from a touristic point of view, was drawn to. 

The week before the festival began, whilst I looked around for a job, I made the decision to just go for it and apply for a volunteer position with the festival. Thinking I wouldn't be accepted for whatever I wanted to apply for, I ended up applying for a lot of different things within the festival including, visual arts, theater and box office positions. The first position I was drawn to and had the strongest inclination to work in was as a merchandising officer. Luckily, I was contacted not long after my application process by the wonderful volunteer co-ordination manager, Carly, who told me I had been accepted for the merchandise position, I had to show up at the festival HQ and be introduced to my job.

The introduction process took place on the 12th of July and was a quick briefing, That night I signed myself up for the following nights show and got to work with, and still get to work with my Hub/Black Box team. Shout out to Lea, Joe, Aoife, Juley, Vincent, Kady, Yvonne, Camila, Jess, Celine... I legit could list everyone who I want to shout out, maybe at the end! And that's briefly how I got involved as a volunteer for the Galway Arts Festival. 

Unlike my other posts, I'm not gonna drag on with a tale of whats been going on, Instead, I'm going to detail what I saw, what I thought of it and for the weekend coming up, what I'd recommend going to see.

Ana María Pacheco/Ailbhe Ní Bhriain/John Beard

One of the luckiest things I think I got to be able to do as part of the GIAF team for 2017 was to be able to work my merchandise job from inside the main Festival Gallery on Market Street.
In this Gallery, which I highly recommend going to see over this coming weekend, contains two interesting and contrasting artists. Being involved and working for merchandise means that in the mornings and evenings I am surrounded by some pretty complex and impressive pieces of art that I could only dream of creating.

Ana María Pacheco:
My first visit into the Gallery, I can honestly say that the work of this artist left me feeling slightly down and the initial impression I got from the artwork was a

feeling of both amazement but also a slight negative feeling towards the art. It's not that the work was bad, it's just my initial introduction to the art was accompanied by slight misunderstanding of the art, the background of the artist and how much work, detail and effort went into creating such, and I can honestly say, masterpieces.
Given the nature of the jobs I was doing within the Festival Hub/Gallery, I spent most mornings walking in and around the work of Ana María Pacheco. Pieces like The Longest Journey, a piece so large and eye catching; Dark Night of the Soul, a masterpiece of myth and history and a plethora of prints which would definitely leave you feeling impressed, inspired, depressed... But would leave you with a striking emotion.
Ana María Pacheco's exhibition ran for the entirety of the Galway International

Arts Festival. The best part about working so close to the work of this artist, is the interesting reactions, ideals and comments the general public had about the pieces. The different themes they thought of and their willingness to let their mind wander whilst looking at the art, which in turn, painted many different concepts in my mind.
The second day the exhibit was open, the Gallery was treated to a special visit by the artist. Ana Maria Pacheco visited the Gallery with Colin Wiggins, the former curator of the National Gallery of London. Their main reason for visiting the Gallery was to partake in a "Conversation with the Artist". For 45 minutes, Ana sat and discussed the methodology behind her work. The techniques. Ideas. Formats and ideologies

she considered when constructing and creating her work. Being within earshot, it was fascinating to look and hear a woman of 73 years of age telling the gallery she still makes huge sculptures and the precision in her work. 
After her talk, she fielded some audience questions before I got the pleasure to greet her and sign some of her programmes. A very humble woman and very open about greeting the public. It was interesting to hear and speak to a woman of such stature within the art world.

Galway International Arts Festival was the latest in a wide selection of exhibitions of Ana María Pacheco. Her work has been on display in places like Oslo, New York, Boston, Kyiv and London. After doing some research, it's not clear when and where her work will be exhibited in the future. Personally, I would be interested in seeing more of her work. So I recommend keeping up to date with Pratt Contemporary Art's website: http://www.prattcontemporaryart.co.uk/ana-maria-pacheco-2/

Ailbhe Ní Bhriain
"Ailbhe Ní Bhriain is a Cork-based artist who works with film and photography" this quote is extracted from the website of the Galway International Arts Festival. The work of Ailbhe Ní Bhriain's work has been and is something that I would consider to be "complex pieces of art". It's something that goes beyond my thinking, I think. The "Inscriptions" exhibit was and has been the one piece from the Arts Festival that has still left me puzzled. 

In an age where images can or cannot be true, in terms of digital remastering, retouching, photoshopping, editing... all forms of photo and technological works to recreate and shape an image to how we want, the work of Ailbhe Ní Bhriain is a complex and artistic way to digitally remaster and reconfigure an image in a way that stretches the mind beyond comprehension and makes you look past the obvious. Either that, or I haven't gotten the grasp of the art...
The inspiration behind the art pieces on display the the GIAF arts gallery was the early text of Samuel Quiccheberg, the German writer who had the earliest cognition of "museology" or the categorization of pieces, in a way to create what we now know as a museum. His piece "Inscriptions of the Immense Theatre" was the power behind the exhibition. The work on display was difficult to make sense of, and unfortunately, I couldn't attend the talk given by Ailbhe Ní Bhriain

which may have shed a light on the artwork. 
The fact that the work had and still leaves me puzzled is kind of what intrigues me more about the art work and kind of inspires me to go and see more of her work, to see how it compares or could it be contrasting pieces of art.

Apart from the Galway International Arts Festival, Ailbhe's work has been on exhibition in places like Paris, Rennes, London and most recently, Carrick-On-Shannon at the Docks. I would recommend going to see Ailbhe's work, if you're into complex, digitally remastered pieces of art. For more: http://ailbhenibhriain.com/works

John Beard
On my last day of the festival, being surrounded by the works of Ana María Pacheco and Ailbhe Ní Bhriain, to see more art was on my list, as when would I get a chance to see it. So knowing that there was a strong art exhibition down in The Shed, on the Docks. On my break I walked down to The Shed to see what kind of exhibition John Beard had on display.
The Raft of Medusa, painted by Théodore Géricault in the early 1800's was an oil painting that depicted the shipwreck of the French vessel, Medusé. A ship bound for Senegal where the British colonists were to return the ownership of Senegal to the French. This was a huge diplomatic and essential power move on behalf of the French Monarchy, who had just overcome the Napolean defeat.

The Medusé vessel had the newly appointed French Governor and his family on board the ship. The ship hit a sandbank and began to crumble. With 400 people on board, there was enough room on the lifeboats for 250. In an attempt at survival, the remaining people built a raft and drifted on the water with nothing but 1 pack of biscuits, 2 cases of water and numerous casks of wine. Because save the wine and not the food, right? The people on board the raft turned to cannibalism and after 13 days at sea, were rescued.
Théodore Géricault, after the events of the Raft of Medusa, it was a controversial painting in the French Romantic era. Mostly due to the political scandal involved due to the fact that the Captain of the Medusa was incompetent and reflected back on King Louis XVIII. The Raft of Medusa painting went on to inspire many of the great French artists like Delacroix. The Raft of Medusa, as I believe, is on display at the Louvre.
John Beard's recreation of the Raft of Medusa, named "After the Raft of Medusa" was something to behold. Thinking that the Guernica was an art piece to see, the size of John Beard's work... wow, it was impressive. On one side of the hanger was the "After the Raft of Medusa" piece but on the opposite wall was a mirrored image on a black slate-like wall. The look of both pieces as you stood in the middle was super intriguing. His work has invoked my desire to see the original Géricault picture. Unfortunately, I didn't work at the Gallery where this piece was on display nor did I get to meet John Beard but my impression of the art work... Just wow. The history behind it, it makes for a more fascinating piece knowing that it was a scandalous piece... I mean, DRAMA!

John Beards work has been on display in many galleries worldwide in places like Sydney, London, Lisbon and of course, Galway. And his work can be seen on exhibition in places like the Tate Gallery and with some collections all over the world. For more: http://johnbeardart.com/

Woyzeck in Winter

A musical/drama piece brought to the Arts Festival this year by Landmark Productions and GIAF, Woyzeck in Winter made it's worldwide premiere in Galway at this years festival. A combination of two separate but not wholly different pieces, Conall Morrison and a creative team re imagined and combined the two old pieces of Woyzeck and Die Winterreise both made between 1825 and 1840. These two pieces, one musical and one a dramatic piece, gelled to become what we now know as "Woyzeck in Winter"
I had the pleasure of going to see Woyzeck in Winter before the opening of the festival, during the previews of the show. It was a piece I'm glad I got to see. It was melodramatic. Cold. Energetic. Vocally strong. The only fault was in the actual storyline. A bit of tweaking to make the story stronger would have

worked really well and have one, and not three or four themes running through the story. However, the talent of the show really made up for it. Featuring strong vocalists like Camille O'Sullivan, the show featured other acting greats like Peter Coonan (Fran from Love/Hate) and Rosaleen Linehan. The show's talent shone through and made for a really good performance.
The piece had different themes. Mental health. Human experimentation. Love. Loss. Betrayal. Mistrust. All the key things needed for a melodramatic masterpiece, right?
Jamie Vartan designed the set. The set was outstanding. Broken pianos everywhere. Snow fallings. Beautiful set arrangements. It was very well laid out.

Words can only relay so much of a visual piece. And watching it in theater that didn't allow videos etc. I can only recommend going to see it, which you should do! For more: https://woyzeckinwinter.com/performances/

The Second Violinist

A show I had to go and see twice. An uneven set. Subtitles. A huge screen displaying games, texts and emojis. Running around. Drama. Bloodshed. 

A modern opera that left me wanting to go and see it again. Aaron Monaghan stars as Matthew/Martin. A Carlo Gesualdo lover and a violinist struggling with his demons. A lot goes on in this piece. A lot of things happen on stage and you have to keep your eyes peeled to all corners of the stage to be in full awareness

and submersion of the piece. The composition of the music score compliments the action so well and leaves you on the edge of your seat and also left me bemused at the actions of the conductor!

An Enda Walsh directed piece. Enda Walsh, for those who don't know, is a Tony Award winning director and play write who is a friend of the Galway International Arts Festival, previously bringing pieces like Arlington, Ballyturk and Misterman to the Festival, bringing the acting talents of Aaron Monaghan, Stephen Rea and Cillian Murphy to the festival. His continued success and sheer genius as a play write was evident in The Second Violinist. The piece is Enda's second opera piece. Penned alongside composer Donnacha Dennehy. On both occasions I saw the show, it concluded with a standing ovation, truly deserved. 

Aaron Monaghan combined with the vocals of the likes of Máire Flavin and Benedict Nelson, the piece sent chills through the audience as well as open eyes as the brief bit of nudity provided by Aaron Monaghan. The drama. The tragedy and the pain could be felt from the lead actor and the score made it feel more real. 

I can say that The Second Violinist is a piece I would go and see again for a third time and I can only wish it good things. I thoroughly enjoyed it. 

This piece I highly recommend getting tickets to. If you can, go to: https://thesecondviolinist.ie/performances/  And get yourself tickets for the performance in Dublin, it'll be worth it! 

Passenger

On the first Saturday of the festival, some of the volunteers, including me were eligible to get tickets to go and see Passenger perform at the Absolut Big Top. I took the offer of the free ticket and went along to the concert.

Now, Passenger, to my own personal knowledge, had that song: "Let Her Go". So I was expecting for him to sing that song and for the place to die. But knowing that he was famous for said song, he played out his set. A very well performed set, I must say. Once you got into the tent where he was performing, you got swept up in his music and next thing you know, you're screaming the song back to him.

Before he took the stage, Hudson Taylor were on stage and they ROCKED the tent. They were pretty awesome and got the crowd all going. When Passenger came on, the crowd was ready. Absolut vodka sponsored the festival, so that's pretty awesome. The drinks flowed and so did the music. But I was kinda right. As soon as Let Her Go was over, the crowd was walking out the gate. His set was good though! I was impressed!

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All in all I can say that this years Arts Festival was pretty good! Long days, crazy times and laughs but it was a well spent experience making friends, learning new things and feeling more cultured afterwards! The wrap party was well worth the two weeks of long days, let me tell you! So thank you GIAF for the fun times! Until next year...

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